“The lesson he taught me, which was absolutely invaluable, was that when you make a mistake, don’t fight against it. Rather than start again, he made a feature of it,” he said. At university, he would often work all night and on one occasion, as dawn was breaking, he propped up the artwork vertically to look at it from a distance. “He has been a terrible procrastinator and then often done things right at the last minute. He praised Pieńkowski for his “vibrant originality and inventiveness, passionate devotion to craft, and perhaps above all for the seriousness with which he has always taken his audience”.Ĭlockwise: Dinner Time (1981), In the Beginning (2010) and Little Monsters (1986).īut Walser said he had “learned so much” from his partner. It is past time that Pieńkowski joins their number.Ĭritic Nicolette Jones, who chaired the judges selecting Pieńkowski for the award, said he “brought magic to children’s illustration”, while her fellow judge, author SF Said, said that “books such as Meg and Mog have shaped so many generations now that they have become part of the fabric of British childhood and culture in general”. But with more than 140 books to his name today, he is perhaps still best known – in this house, at least – for illustrating Meg and Mog.Ĭelebrating an author or illustrator who has made an “outstanding contribution” to children’s literature, the BookTrust award has gone in the past to some of the greatest names in children’s books, including Shirley Hughes, Raymond Briggs and Judith Kerr. ![]() Published in 1980, the pioneering title featured a crocodile in the bath, an octopus in the sink, and a black cat watching everything with its sinister moving eyes.
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